“Clothes make the man”, Mark Twain said, “Naked people have little or no influence on society.”
So does what we wear define who we are? Well the fashion industry want us to believe so, for this 1.7 Trillion Dollar industry, it’s well within their interest to keep us up all night worrying about what we’re going to wear tomorrow. Intense consumerism and disposable fashion have changed how we dress, but it’s also created a monster polluter: the clothing industry leaves a huge carbon footprint. Now, most of us would consider ourselves fairly environmentally aware, we recycle, turn out the lights, leave the car at home, but get this: 3 kilos of chemicals, 3,625 litres of water and 400mj of energy, the equivalent of leaving a light bulb on for 116 days, that‘s what went into producing the this pair of jeans I have on today! One pair of jeans. Shocking isn’t it? I should remove them immediately! But it is what it is, it’s the nature of the beast and every industry has it’s pro’s and con’s, whether we like it or not, we are tied to this industry by the fabric that we wear.
And what are we wearing? What, apart from the seasons, are our poets wearing? Well Robert Pinsky is wearing a Shirt, whose history is longer than it’s sleeves. Pablo Neruda praises the virtues of his woollen socks. Actually, you can always rely on Pablo to cut through the snobbery of poetry and gift it’s beauty back to where it belongs – with us. Pablo Neruda was the greatest Latin American writer of the 20th Century. Politically he was a socialist, so his focus was on ordinary people, community and equality and through his poems, he dispelled that myth that poetry is out of reach, confined only to academics or to the elite in our society. In his poem, Ode To My Socks, from his three books of Elemental Odes, in which he praises the things of ordinary life – lemons, dictionaries, sea-gulls – he shows us that we can find poetry everywhere, in everything, even in a pair of socks! He receives a pair as a gift, compares them to fish, birds, fire, bestows almost mystical qualities on them, and like any beautiful gift you feel unworthy of, you’re tempted to put it away in a drawer, keep it safe, and out of reach, like the way many of us treat poetry, with great deference, as something set apart, but he resisted he says, ‘the mad impulse to put his socks in a golden cage and each day give them birdseed and pieces of pink melon.’ He tells us that goodness, or poetry, is not out of reach, that the very definition of beauty is a pair of woollen socks in winter. So you heard it here first, Pablo Neruda said it’s okay to give socks as Christmas gifts again this year!
Now for the cost-conscious and ethically minded, shopping for second-hand clothes is a fashionable alternative to larger retail chains. By thrift-shopping, you get to look unique for half cost, to your purse and the environment, and your money usually goes to a good cause too! But have you ever wondered about who the person was who wore the coat, the blouse, the black leather pants before you? Well, after American poet Ruth Stone, brought her second-hand coat home, she began to embody it’s previous owners life. Finding in it’s pockets, all the random things we retain and forget about on a daily basis, like ticket stubs and tissues. Stone wrote poetry her whole life, referring to it as a stream that ran along beside her, talking to her and she just wrote down what it said. Much of it, however, was marked by her husbands suicide, so she broaches themes such as death, grief and loss with a double-edged dose of tragedy and humour. That pre-loved clothes though, can inspire such philosophical thinking, is surely what makes purchasing them twice as nice
Kim Addonizio is looking fabulous, in a tight and flimsy, backless red dress. Her poetry is known for its grit and wit and here she asks What Do Women Want? from her collection Tell Me. I don’t know Kim, is it thicker materials? Real pockets? How about full length sleeves or actual breast room? (yes, I’m looking at you high-street retailers!) ‘I want a red dress’ she says, ‘flimsy, cheap and too tight.’ It’s a poem about the negative stereotypes we must endure as women, how we are viewed as bodies first and women later. There’s a feminist v’s femininity interplay going on here, women want to look and feel attractive for themselves, not necessarily for the opposite sex. The speaker is a confident, independent and sassy woman, body, mind and spirit, and as she ‘walks down the street past Thrifty’s and the hardware store with all those keys glittering in the window’, she wants to do it freely, looking how and wearing what she chooses, without fear of being labelled or stereotyped. I don’t have a red dress but I want one now!
You know, I think what all our poets have shown us today is that clothes are more than just clothes. They have a huge emotional value, and an association with experiences, people and important times in our lives. Brides keep their wedding dresses, we hold on to a child’s first pair of shoes, there’s your first-loves cardigan (oops) Clothes tell stories, like the Shoes that are the face of Charles Simic’s inner life, Ruth Stones Second-hand Coat and Robert Pinsky’s Shirt with decades of manufacturing history. I wonder if the cloth we wear preserve the dreams of the hands who cut it? And I wonder what the future holds for the world of clothing? Fashion is always changing and science and design firms are constantly developing new fabrics, some that can even generate electricity, change colour, adjust temperature and charge phones! Apparently, fibre-scientists over at Lacoste are researching self-lengthening pants and dresses, so who knows maybe our hemming days are behind us 🙂
Also featured today: Maxine Kumin How It Is and Charles Simic My Shoes, along with music from Gregory Porter, Suede, George Ezra and The Irrepressibles.
“If most of us are ashamed of shabby clothes and shoddy furniture let us be more ashamed of shabby ideas and shoddy philosophies…. It would be a sad situation if the wrapper were better than the meat wrapped inside it.” – Albert Einstein